Despite the evil, brutality and violence that have become hallmarks of the weekly show, much of the channel’s audience has formed a bond of affection for the Sopranos. (Reuters)
I watched a handful of Sopranos episodes the first season. I concluded that it was a cleverly written paean to violence and crime, and with its boss in therapy, to postmodern moral pseudo-angst. Now, with the finale drawing fire and blame, I think I was right to “fugeddaboudit.” But Tony and company simply illustrate a heartbreaking decline in our society, and the accompanying violation of its potential innocence, as we develop “affection” for evil. Our descent into immorality is broadening in scope and accelerating as we move from “affection” for immorality to its glorification in the interests of our own entertainment. As we consider such developments, one begins to see more marked similarities between the modern West and the Roman empire at its decadent height, and I wonder if the decline and fall of the West will mirror Rome’s: torn down by the very populations it had attempted to “help.” Continue Reading »